We still try to to idenfity and define ourselves with things we didnt choose, like our nationality, our religion, our name, our sexuality and our birth month! Maybe I liked Ionesco’s ideas and essays more than his work itself so far. Monday, August 28, at PM – PM UTC Download Citation on ResearchGate | La cantante calva: antipieza / Eugéne Ionesco | Traducción de: La Cantatrice chauve }. The curtain fall as the play begins again with the Martins saying the same lines that the Smiths did in the first scene.La cantante calva We are talking about none other than Eugène Ionesco, who without intending to, created one of the masterpieces of twentieth century. When the lights come back up, the Martins are in the same positions the Smiths were in at the beginning of the play. Eventually, the lights go out and we hear them screaming, 'It's not that way, it's over here!' over and over again in the darkness (564). The characters start spewing totally random non-sequiturs, clichés, and mutilated aphorisms. After he leaves, the play goes totally haywire. The Fire Chief takes his leave, saying that there's a fire across town that he must see to. They push her offstage as she recites a poem dedicated to the Fire Chief. The Smiths are very offended that Mary, the lowly maid, would want to share stories. The Fire Chief suddenly recognizes Mary – she was his first love.

Mary, the maid, busts in and tries to share some stories of her own. Since he's apparently got nothing better to do, he settles in and shares some weird fables. He's come to see if there is a fire in the house and is very depressed to find out there isn't one. They all are amazed at this 'fantastic' story. The two couples sit around talking about unremarkable events, like the fact that Mrs. The Smiths eventually rejoin their guests. She tells the audience that, in fact, the Martins' reasoning is faulty, and that they aren't who they think they are at all. Of course, Mary blows a hole in their theory.

Eventually, through an extended process of elimination they decide that they must be a married couple. It turns out that the Martins don't remember each other even though they apparently live in the same house, sleep in the same bed, and traveled on the same train together. Mary shows the Martins into the living room, yells at them for being late, and then exits. The Smith's maid, Mary, arrives and announces that the Martins are waiting outside. The Smiths seem to forget from moment to moment whether a certain Bobby Watson is alive or dead. Next they discuss a family in which everyone is named Bobby Watson.

Smith recounts to her husband all the things that have happened that evening, even though he was there. The play begins with the Smiths sitting around in their living room talking about a lot of nothing.

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